Anthony Howe, who has called the island home since 1994, designed the kinetic wind sculpture framing the Olympic cauldron in Rio’s Maracaña Stadium. Seventy eight thousand people attended the ceremony and some estimates put worldwide viewership in the billions.
In an opening ceremony that generated widespread acclaim – in contrast to the social and political turmoil surrounding the Rio Games – art critic Sarah Cascone said Howe’s piece “stole the show,” trumping even supermodel Gisele Bündchen on her last catwalk strut.
The two-ton metal and glass artwork is a variation on his piece “Lucea,” whose steel base was cast in Walla Walla. At the ceremony, the sculpture appeared to envelop the cauldron like a vortex from its suspended position in midair, where it gently pulsed in the breeze.
Following a budget-conscious but visually stunning ceremony that retold Brazil’s history (warts and all, including explicit references to slavery) Howe’s artwork capped off the night when Brazilian marathoner Vanderlei Cordeiro de Lima lit the Olympic cauldron, the flames rising to meet the sculpture.